25/02/12

F.C. do Porto Sub-15: F.C. do Porto 1 vs S.C. Braga 0 - Ao fim da segunda jornada da segunda fase do Campeonato Nacional de Juniores C, a equipa Sub15 do FC Porto já é líder isolada da Zona 2!




«SUB15 JÁ SÃO LÍDERES ISOLADOS


Ao fim da segunda jornada da segunda fase do Campeonato Nacional de Juniores C, a equipa Sub15 do FC Porto já é líder isolada da Zona 2, depois de ter recebido e batido o Braga, por 1-0, em jogo disputado este sábado, no mini-estádio do CTFD PortoGaia.


Na primeira ronda, a equipa orientada por António Folha, que venceu todos os 22 encontros da fase inicial, tinha ganho em Guimarães.


João Gonçalo foi o autor do único golo da partida frente ao Braga, apontado aos 70 minutos.» in http://www.fcporto.pt/Noticias/Formacao/noticiaformacao_futsub15fcpbraga_250212_67200.asp




(Resumo de mais uma vitória dos Dragões)

Liga Indoor Fertiberia - Desportivo da Corunha 12 vs F.C. do porto 11 - Cinco golos de Rui Barros e outros tantos de Capucho não bastaram para evitar a derrota da equipa “Vintage” do FC Porto!




«BRILHO DE BARROS E CAPUCHO NÃO EVITA DERROTA NA CORUNHA


Cinco golos de Rui Barros e outros tantos de Capucho não bastaram para evitar a derrota da equipa “Vintage” do FC Porto, que perdeu, por 12-11, na noite desta sexta-feira, na Corunha, frente ao Deportivo, em jogo da segunda jornada do Grupo 1 da Liga Indoor Fertibéria.


Os Dragões, que atingiram o intervalo já em desvantagem (9-5), tiveram em Rui Barros e Capucho as suas principais figuras, com a dupla de atacantes a somar dez dos 11 golos da equipa. O golo restante, que é até foi o primeiro dos azuis e brancos, foi apontado por Mário Silva.


Enfraquecidos pelas ausências de Vítor Baía, Gomes, Pedro Emanuel, Folha e Paulinho Santos, os Dragões igualaram a partida (11-11) a cinco minutos do final, por intermédio de Rui Barros, depois de inteligentemente assistido por Capucho, mas acabariam por permitir que Repi resolvesse o encontro a favor do Deportivo, com apenas dois minutos para jogar.


Com a derrota na Corunha, os Dragões desceram à quarta posição do grupo, mas contando menos um jogo disputado do que Celta de Vigo e Sporting de Gijón, que ocupam a segunda e terceira posições da série, que passa a ser liderada pelo Deportivo.


Com oito golos e 46 anos, Rui Barros distingue-se já como um dos melhores marcadores da competição, somando menos um do que Juan Sánchez e Baraja, ambos do Valência.


Na primeira jornada, o FC Porto tinha vencido, por 11-10, o Sporting de Gijón, actual detentor do título, em jogo disputado a 3 de Fevereiro, no Dragão, onde o “Vintage” azul e branco regressa, ainda em data a definir, para receber o Málaga, sexto e último classificado do grupo.» in http://www.fcporto.pt/Noticias/Futebol/noticiafutebol_futindoordeportivofcpcro_240212_67188.asp


Liga Fertiberia: Deportivo de La Coruña 12-11 FC Porto "Vintage"

(Golo Fernando Gomes FC Porto Vintage)

(Show de Vítor Baía em Futebol Indoor - FC Porto 11 vs Sporting Gijón 10 Liga Fertiberia 03/02/12)

Amarante - A piscina municipal de Vila Meã, em Amarante, acolhe, entre hoje e domingo, os Campeonatos Regionais de Infantis da Associação de Natação do Norte de Portugal!




«Natação: Regionais de infantis em Vila Meã


A piscina municipal de Vila Meã, em Amarante, acolhe, entre hoje e domingo, os Campeonatos Regionais de Infantis da Associação de Natação do Norte de Portugal.


Participam 236 atletas (122 masculinos e 114 femininos) em representação de 17 clubes: Associação Desportiva de Fafe, Associação Desportiva de Penafiel, Clube Fluvial Portuense, Clube Fluvial Vilacondense, Clube Natação de Valongo, Clube de Natação da Maia, Colégio Liceal de Santa Maria de Lamas, Foca - Clube de Natação de Felgueiras, FC Porto, Gespaços, Ginásio Clube de Vila Real, Ginásio Clube de Santo Tirso, Famalicão, Leixões Sport Clube, Lousada Século XXI, Paredes/Rota dos Móveis e Vitória de Guimarães.


Inaugurada em novembro de 2007, a piscina municipal de Vila Meã recebe frequentemente provas oficiais de natação pura e jogos de pólo aquático.» in http://www.imprensaregional.com.pt/averdade/index.php?info=YTozOntzOjU6Im9wY2FvIjtzOjExOiJub3RpY2lhX2xlciI7czo5OiJpZF9zZWNjYW8iO3M6MToiNSI7czoxMDoiaWRfbm90aWNpYSI7czo0OiI1MDAwIjt9

24/02/12

Amarante Antiga - Largo Sertório de Carvalho e lá ao fundo sem a ponte que hoje existe, lá está o cartório notarial atual...

Largo Sertório de Carvalho
Quem vem do largo Sertório de Carvalho, hoje atravessa uma ponte... que ainda não fora construída nesta imagem de Amarante Antiga!

Justiça - O homem que foi absolvido, na quarta-feira, pelo tribunal de Lousada, do rapto de Rui Pedro disse hoje, numa entrevista à RTP, acreditar que o menor possa ainda estar vivo!




«Homem absolvido da acusação de rapto de Rui Pedro acredita que menor possa estar vivo


O homem que foi absolvido, na quarta-feira, pelo tribunal de Lousada, do rapto de Rui Pedro disse hoje, numa entrevista à RTP, acreditar que o menor possa ainda estar vivo.


"Até prova em contrário eu acredito sempre que O Rui Pedro está vivo", afirmou no programa Grande Entrevista.


Falando publicamente, pela primeira vez, após o julgamento que o absolveu, na quarta-feira, do crime de rapto agravado de que estava acusado pelo Ministério Público, Afonso Dias, acompanhado pelo seu advogado Paulo Gomes, disse hoje à RTP desconhecer o que aconteceu à criança de 11 anos que desapareceu no dia 4 de março de 1998.


"A partir das 13:55 (do dia 4 de março de 1998) nunca mais voltei a ver o Rui Pedro", afirmou, referindo-se ao menor desaparecido como "um irmãozinho" que sempre tratou com carinho.


"Não sei o que aconteceu. Ou foi rapto ou caiu dentro de um poço. Se ele não apareceu alguma coisa foi. Isso gostaria eu de saber", disse.


Afonso Dias afirmou nada ter a esconder, insistindo que sempre disse tudo o que sabia às autoridades policiais que investigaram o caso ao longo dos anos.


Questionado sobre o seu silêncio no julgamento, respondeu que não tinha nada a acrescentar ao que dissera na fase de inquérito, durante a qual sempre teve uma atitude colaborante.


"Eu não tinha uma vírgula a pôr ou a tirar", disse, observando que a sua posição estava no processo que deu origem a uma acusação.


Afonso Dias repetiu estar inocente da acusação do rapto de Rui Pedro, considerando "uma monstruosidade" ter sido acusado de uma coisa que reafirmou não ter praticado.


"Não tenho explicação para o que me fizeram", disse.


Sobre as declarações da prostituta que, em tribunal, garantiu ter estado com Rui Pedro no dia do desaparecimento e que o menor fora levado por Afonso Dias, este acusou-a de ter mentido em julgamento.


O entrevistado lembrou que ao longo de mais de 13 anos nunca a prostituta o identificou, mesmo quando com ele se cruzou no tribunal cinco dias após o alegado encontro com a criança.


Chorando e aludindo à sua condição de pai de um filho de 10 anos, Afonso Dias disse ter muita pena da família de Rui Pedro, asseverando não guardar qualquer rancor.


"Eu sempre compreendi a dor dos pais do Rui Pedro", referiu, acrescentando que é "inocente" e que "não merece que esteja a pagar" pelo que não fez.


No mesmo registo, lembrou que sempre foi carinhoso com o menor e com a sua família.


"Eu desejo-lhes a maior das felicidades", disse, referindo-se aos pais do menor desaparecido.


Num plano mais pessoal, Afonso Dias disse ter sido muito difícil passar pela acusação de rapto, sobretudo pela dor que os seus familiares sentiram nestes anos.


Afonso Dias foi absolvido, por falta de provas, do crime de rapto agravado para o qual o Ministério Público pedira "mais de sete anos de prisão".


No final do julgamento, a família do menor, através do seu advogado Ricardo Sá Fernandes, anunciou que iria apresentar recurso do acórdão.» in http://sicnoticias.sapo.pt/pais/article1361733.ece



(As declarações de Afonso Dias)

Saúde - Num inquérito feito em 13 países, os portugueses surgem no topo, com a vida sexual mais ativa!

Afinal, somos  bons na cama


«Afinal, somos bons na cama


Num inquérito feito em 13 países, os portugueses surgem no topo, com a vida sexual mais ativa. Quererá dizer que tudo está bem debaixo dos lençóis?


Pouco se sabe sobre a sexualidade dos portugueses. Tirando as piadas brejeiras e o mito do "macho latino", quase tudo o resto são segredos de alcova.


Um inquérito feito pela farmacêutica Lilly em 13 países, que a VISÃO divulga em primeira mão na edição impressa desta semana, devolve uma imagem animadora: sexo espontâneo, com uma taxa de "comparência" de duas vezes por semana põe os portugueses em primeiro lugar. Haja alguma coisa!


O inquérito foi feito online - "O que convém neste tipo de estudos, porque no cara a cara as pessoas só contam os sucessos", nota Maria do Céu Santo, 56 anos, ginecologista, especializada em sexualidade. E os participantes portugueses - mil de cada país, homens e mulheres com mais de 33 anos - têm a média de idades mais baixa. "É normal que num grupo etário jovem a frequência sexual semanal seja mais elevada. A partir dos 50 anos há uma acentuada baixa da testosterona", reforça a médica. Mesmo assim, são boas notícias, defende. "Noutros estudos semelhantes, também aparecíamos no topo da tabela."


Segundo este inquérito, mais de metade dos portugueses têm relações sexuais pelo menos duas vezes por semana, enquanto 1,4 é a média mundial. Ao lado de Portugal, ficam o México e a Roménia - talvez porque não foram inquiridos brasileiros, italianos, franceses e espanhóis... No fim da tabela, surgem os dinamarquesas e os sul-coreanos, com metade da frequência: uma vez por semana.


Ler mais: http://aeiou.visao.pt/afinal-somos-bons-na-cama=f645108#ixzz1nFjY3pGa» in http://aeiou.visao.pt/afinal-somos-bons-na-cama=f645108



(Sexologia à portuguesa)

23/02/12

Música Portuguesa - 25 anos depois da sua morte, a música e as palavras de José Afonso continuam atuais!

Zeca Afonso no Coliseu dos Recreios em 1983

«Que força é essa, Zeca?


25 anos depois da sua morte, a música e as palavras de José Afonso continuam atuais. Os tributos e homenagens multiplicam-se em várias cidades do país e o cantautor vive ainda na memória de muitos. Hoje queremos recordar José Afonso. Que memórias guarda de Zeca Afonso? Assistiu a algum concerto? Tem discos antigos em casa? Qual foi o maior contributo de José Afonso para a música e sociedades portuguesas?


“Admito que a revolução seja uma utopia, mas no meu dia a dia procuro comportar-me como se ela fosse tangível. Continuo a pensar que devemos lutar onde exista opressão seja a que nível for.” - José Afonso, in Associação José Afonso.» in http://noticias.sapo.pt/nacional/artigo/que-forca-e-essa-zeca_2668.html

José Afonso - "Os Vampiros" - (ao vivo no Coliseu)

José Afonso - "Traz Outro Amigo Também"


Zeca Afonso - "Vejam Bem"
Zeca Afonso - "Os Índios da meia praia"
José Afonso - "A morte saiu à rua"


Zeca Afonso - "Filhos da Madrugada"


Zeca Afonso - "Maria Faia"~
Zeca Afonso - "Que Amor Não Me Engana"
Zeca Afonso - "Milho Verde"


"Maria Faia


Eu não sei como te chamas
Oh Maria Faia!
Nem que nome te hei-de eu pôr
Oh Maria Faia, oh Faia Maria!


Cravo não, que tu és rosa
Oh Maria Faia!
Rosa não, que tu és flor
Oh Maria Faia, oh Faia Maria!


Não te quero chamar cravo
Que te estou a engrandecer,
Chamo-te antes espelho
Onde espero de me ver.


O meu abalou
Deu-me uma linda despedida,
Abarcou-me a mão direita
Adeus oh prenda querida."

Criminalidade - O Amigo de Sócrates e de Vara, José Godinho, também levantou os carris da Linha do Tâmega...




«Face Oculta: Arguido da REFER acusa ex-subalterno de mentir


Testemunha chave deu conta de favorecimentos para Manuel Godinho levantar carris de linhas desativadas do Tua e de Amarante, o que vai levar arguido visado a quebrar o silêncio.


O depoimento de Alberto Aroso, engenheiro da REFER que trabalhou no eixo Porto - Pocinho, ontem ao tribunal de Aveiro, como testemunha de acusação no processo Face Oculta, para vingar crimes de corrupção e burla, entre outros, imputados pelo Ministério Público (MP) vai ser posto em causa.


Manuel Godinho, que trocaria contrapartidas por favorecimentos, conseguiu, através das suas empresas Sociedade de Empreiteiros Ferroviários (SEF) e O2, sem autorização da administração da ferroviária, e mesmo através de furtos, levantar carris.


Alberto Aroso denunciou o seu superior hierárquico à data dos factos, o arguido Silva Correia, ex-coordenador do eixo Douro e Minho, com a gestão das linhas desativadas do Tâmega e do Tua.


O engenheiro alegou ter sido “abordado” pelo chefe para adulterar guias de remessa de cerca de 500 toneladas, sobretudo carris, levantados da linha do Tâmega, para 100 toneladas, lesando os interesse da ferroviária em favor de Manuel Godinho, que não aceitava a pesagem.


Alberto Aroso admitiu ter sentido receio de fazer queixa do superior, agora acusado de corrupção, participação económica em negócio e burla. “Até certo ponto, tive medo”, disse, recordando que Silva Correia considerava Manuel Godinho “uma pessoa influente e com acesso a pessoas importantes”. Acaba por não ceder e é com base nos seus apontamentos de supostas ilegalidades que o MP quer provar relações previlegiadas entre Manuel Godinho e o responsável da REFER.


António Esteves, advogado de Silva Correia, garantiu no final da audiência de ontem que a conversa relatada “não existiu materialmente”. O cliente pretende esclarecer o tribunal, tendo por isso requerido ao juiz presidente Raul Cordeiro para quebrar o silêncio a que se remeteu, o que pode suceder hoje.


Explicará a discrepância de valores dos levantamentos na linha do Tâmega, de 500 para 100 toneladas, pelas divergências entre pesagens da REFER e da O2 comunicadas superiormente. Por isso, procurou saber junto do subalterno “afinal qual era a realidade”.


Ontem à tarde, começou a depor José Moutinho, ex-diretor da Zona Operacional do Porto (ZOP), superior do arguido Silva Correia. Desvalorizou a ausência de autorizações da administração em trabalhos de urgência ou sem concurso. Aconteciam com frequência nos troços em causa. Mesmo depois de se “mandar parar obras” certos trabalhos continuavam “15 dias depois”, para que os pagamentos fossem maiores.


A acusação contabiliza prejuízos de 1,6 milhões de euros para a REFER à conta de Manuel Godinho que foi caracterizado pela testemunha José Moutinho por ter uma “técnica especial”: fazia “aparecer máquinas” nos locais “em poucas horas”, com versatilidade que a concorrência não tinha.» in http://www.noticiasdeaveiro.pt/pt/24603/face-oculta-arguido-da-refer-acusa-exsubalterno-de-mentir/


(Face Oculta: Mesmo preso Manuel Godinho ganhou contrato)

F.C. do Porto Andebol: Águas Santas 24 vs F.C. do Porto Vitalis 29 - Dragões arrasam vencem no reduto dos Maiatos e alargam vantagem na frente!




«FC PORTO VENCE EM ÁGUAS SANTAS


O FC Porto foi na noite desta terça-feira vencer o Águas Santas por 29-24, resultado que permite aumentar a vantagem na liderança.


O jogo foi muito disputado e equilibrado, com os Dragões a vencerem por dois golos (14-12), mas foi quando o Águas Santas colou a um golo de distância que o FC Porto arrancou para dez minutos finais sensacionais, com jogadas de combinação invariavelmente concluídas nos seis metros, o que permitiu abrir no marcador e terminar com cinco golos de vantagem.


No ataque dos Dragões destaque para as sete finalizações de Tiago Rocha e Pedro Spínola, numa equipa que joga um andebol de grande qualidade.


A duas jornadas do final da primeira fase o FC Porto é líder, com 56 pontos, mais cinco do que o Benfica, que ultrapassou o Águas Santas na segunda posição.


Nas duas últimas jornadas o FC Porto recebe o Sporting da Horta e desloca-se ao Fafe.» in http://www.fcporto.pt/OutrasModalidades/Andebol/Noticias/noticiaandebol_andaguassantasfcpcro_220212_67136.asp

22/02/12

Justiça - O tribunal de Lousada absolveu hoje o arguido Afonso Dias do rapto de Rui Pedro, a criança desaparecida em Lousada a 4 de março de 1998, por falta de provas!

Afonso Dias


«Caso Rui Pedro: Tribunal de Lousada absolve Afonso Dias por falta de provas


O tribunal de Lousada absolveu hoje o arguido Afonso Dias do rapto de Rui Pedro, a criança desaparecida em Lousada a 4 de março de 1998, por falta de provas. Mas o Ministério Público vai recorrer da decisão, avança a TVI24.


Segundo o coletivo de juízes, não se provou nem a tese de rapto nem o encontro do menor com a prostituta que alegou ter estado com a criança no dia do seu desaparecimento.


Afonso Dias saiu, cerca das 17:20, do tribunal de Lousada, protegido por militares da GNR para evitar que fosse agredido por populares que se concentraram à porta do tribunal.


O clima nas imediações do tribunal ficou tenso depois do coletivo de juízes ter absolvido o arguido. “A justiça é uma vergonha”, “é injusto”, "a justiça não foi feita" foram algumas das palavras de ordem gritadas pelas várias dezenas de populares que se juntaram hoje à tarde à porta do tribunal e que obrigaram a GNR local a reforçar a segurança em redor do arguido.


Entretanto, o advogado de Afonso Dias manifestou-se satisfeito com absolvição do seu cliente, mas disse estar triste por esta ter sido tomada “tão tarde”. Questionado pelos jornalistas à porta do tribunal, o advogado Paulo Gomes afirmou: “o julgamento esclareceu sobre os factos que estavam na pronúncia. Era isso que estava em causa. Era sobre isso que tinha que esclarecer”.


Relação aceita renovação da prova ou anula julgamento, diz Sá Fernandes


O advogado de acusação no caso Rui Pedro defendeu hoje que, depois da absolvição de Afonso Dias do crime de rapto, o Tribunal da Relação aceita a renovação da prova ou anula o julgamento.


"Fundamentalmente [a decisão] baseia-se em declarações de inspectores da PJ que não quiseram verter para os autos as afirmações que aqui fizeram. O tribunal não credibilizou as declarações de Alcina Dias, credibilizou as declarações de inspetores da PJ que não poderia credibilizar", afirmou Ricardo Sá Fernandes.


O advogado da família de Rui Pedro sublinhou que o tribunal "entendeu que seria verdade que Alcina Dias teria estado com o menor, mas que não havia meios suficientes para concluir que o menor era Rui Pedro".


"Deu como provado tudo o que acusação sempre sustentou e a defesa sempre negou (...), mas concluiu que o encontro [de Alcina Dias] pode ter sido com outro rapaz e outro homem", afirmou Sá Fernandes, realçando que esta decisão "desvalorizou em absoluto as declarações de Alcina Dias" e "baseou-se apenas nas declaraçoes de inspetores da PJ que fizeram o triste espectáculo que puderam presenciar, que é absolutamente ilegal e implicará a anulação do julgamento".


Agência Lusa» in http://noticias.sapo.pt/nacional/artigo/caso-rui-pedro-tribunal-de-lousa_2660.html


Caso Rui Pedro prolonga-se desde 1998.


«Os principais momentos do caso Rui Pedro


O tribunal de Lousada absolveu hoje o arguido Afonso Dias do rapto de Rui Pedro, a criança desaparecida em Lousada a 4 de março de 1998, por falta de provas.


1998


04 março - Desaparece Rui Pedro, criança de Lousada, então com 11 anos de idade. O menor é visto pela última vez após o almoço, por colegas.


05 março - PJ inicia investigação do desaparecimento, ouvindo várias pessoas, sem nunca determinar qualquer suspeito, apontando como primeira prioridade localizar o menor.


2004


Segunda brigada da PJ retoma investigação do desaparecimento, fazendo uma primeira reconstituição dos factos.


2008


Terceira brigada da PJ inicia investigação do desaparecimento, criando pela primeira vez uma equipa específica.


2011


26 fevereiro - O principal suspeito do desaparecimento de Rui Pedro, há 13 anos, é acusado do crime de rapto agravado.


26 maio - O advogado da família de Rui Pedro defende, em debate instrutório, que Afonso Dias, acusado de rapto do menor, seja levado a julgamento.


06 junho - A decisão instrutória do processo em que Afonso Dias está acusado do rapto de Rui Pedro determina que o arguido vai a julgamento.


17 novembro - Afonso Dias começa a ser julgado no tribunal de Lousada. Estão arroladas mais de 60 testemunhas. 17 novembro - O homem acusado do rapto de Rui Pedro recusa-se, na primeira sessão de julgamento, a prestar declarações ao tribunal.


17 novembro - Afonso Dias interrompe o depoimento da mãe de Rui Pedro quando esta falava ao tribunal. Não foi claro o que o arguido disse a Filomena Teixeira, da qual se aproximou. O arguido disse jurar em nome do seu filho, não tendo sido depois percetível o resto da frase, onde se ouviu também uma alusão a Rui Pedro.


22 novembro - Primo de Rui Pedro diz no tribunal que foi convidado, conjuntamente com o menor desaparecido, para irem às prostitutas a Freamunde, confirmando a tese da acusação.


25 novembro - O tribunal de Lousada observa o local onde várias crianças terão visto, há 13 anos, Rui Pedro entrar para a viatura que se suspeita ser do alegado raptor. 25 novembro - Afonso Dias desloca-se ao Instituto de Medicina Legal, em Penafiel, para se submeter a exames psíquicos no âmbito de uma perícia requerida pela defesa. 04 dezembro - A prostituta que alega ter estado com Rui Pedro no dia do desaparecimento do menor reafirma, na reconstituição dos factos no local do suposto encontro, que o menor lhe foi levado pelo arguido acusado de rapto.


07 dezembro - A defesa de Afonso Dias diz em audiência que o depoimento da prostituta que diz ter estado com o menor de Lousada contraria alegadas declarações daquela testemunha à PJ e que isso prejudica o arguido.


13 dezembro - O tribunal de Lousada visualiza um vídeo de 2004 com a reconstituição dos factos do dia do desaparecimento de Rui Pedro no qual Afonso Dias garante não ter estado com o menor na tarde do desaparecimento.


14 dezembro - Dois inspetores da Polícia Judiciária (PJ) que investigaram o desaparecimento de Rui Pedro dizem em tribunal que a prostituta que alega ter estado com a criança deu informações sem credibilidade e que, por isso, não foi aprofundada aquela pista.


2012


26 janeiro - O tribunal de Lousada ouve as alegações finais do julgamento de Afonso Dias.


26 janeiro - O Ministério Público (MP) e o advogado da família de Rui Pedro requerem alterações aos factos que levaram a julgamento o homem acusado de rapto qualificado da criança desaparecida desde 1998.


27 janeiro - O Ministério Público pede uma pena superior a sete anos de prisão para Afonso Dias. 27 janeiro - O advogado de defesa de Afonso Dias pede a absolvição do arguido, considerando não ter ficado provado o crime. 22 fevereiro - Tribunal de Lousada absolve Afonso Dias por falta de provas.


Agência Lusa» in http://noticias.sapo.pt/nacional/artigo/os-principais-momentos-do-caso-r_2662.html
------------------------------------------------------------------------------------
E pode alguém desaparecer assim... sem rasto... sem nenhuma testemunha credível...



(Lousada síntese julgamento caso Rui Pedro)



(Caso Rui Pedro)

Acidentes - A explosão ocorrida hoje ao final da tarde num prédio de habitação em Setúbal provocou dois feridos graves, com queimaduras, e 12 ligeiros, por inalação de fumos, disse à Lusa fonte do INEM!

Bombeiros fazem o rescaldo de uma explosão seguida de incêndio, que esta tarde danificou uma habitação na zona do Bonfim

«Explosão provocou dois feridos graves e 12 ligeiros


A explosão ocorrida hoje ao final da tarde num prédio de habitação em Setúbal provocou dois feridos graves, com queimaduras, e 12 ligeiros, por inalação de fumos, disse à Lusa fonte do INEM.


Segundo a fonte do Instituto Nacional de Emergência Médica (INEM), os dois feridos graves vão ser levados para duas unidades hospitalares com valência de queimados, um de helicóptero para o Hospital de São José, em Lisboa, e outro, via rodoviária, para o Hospital Garcia de Orta, em Almada.


Fonte da Proteção Civil Municipal adiantou que os dois feridos graves estão a ser assistidos por técnicos do INEM no Campo de Futebol do Comércio e Indústria, de onde serão transportados para as unidades hospitalares.


Os restantes 12 feridos, que sofreram apenas de inalação de fumos, pequenas escoriações e ansiedade nervosa, foram já assistidos pelas equipas médicas e vão ter alta no local, disse a fonte do INEM.


A Proteção Civil Municipal não adianta para já qualquer explicação sobre as causas da explosão, que poderão estar relacionadas com gás.


Segundo testemunhas ouvidas no local pela Lusa, a explosão provocou um incêndio com labaredas a toda a altura do prédio de sete andares, na Rua Mariano Coelho, e o edifício apresenta uma mancha negra ao longo da fachada. As traseiras do prédio dão para a Praceta São Julião.


A Proteção Civil Municipal não adianta para já qualquer explicação sobre as causas da explosão, que poderão estar relacionadas com gás.


O prédio tem sete andares, com 21 fogos, e segundo o Comandante dos Bombeiros Sapadores de Setúbal, Paulo Lamego, foi evacuado na totalidade e está a ser ventilado e avaliado do ponto de vista estrutural.


Paulo Lamego adiantou ainda que a fração que apresenta maiores danos é o rés do chão, onde ocorreu a explosão seguida de incêndio, mas não pode para já dar qualquer garantia da eventual existência de danos estruturais.


A mesma fonte explicou que parte dos moradores foi retirada do prédio pelo terraço no último andar, através de uma autoescada e que outros saíram pelos próprios meios e que, por isso mesmo, foram afetados pela inalação de fumos.


A presidente da Câmara de Setúbal, Maria das Dores Meira, já está a caminho do local da explosão, que ocorreu cerca das 18:30, para acompanhar de perto o evoluir da situação.


No local, estão além dos bombeiros locais, duas viaturas médicas do INEM, uma viatura de intervenção em catástrofe, um helicóptero de emergência médica e uma equipa de psicólogos.


LUSA» in http://noticias.sapo.pt/nacional/artigo/explosao-provocou-dois-feridos-g_2667.html

Liga Europa: Manchester City 4 vs F.C. do Porto 0 - Dragões batidos, sem apelo, nem agravo e adeus Europa!

FC Porto goleado no adeus à Liga Europa (SAPO)


«FC PORTO DESPEDE-SE DA LIGA EUROPA


O FC Porto foi eliminado da Liga Europa, depois de perder por 4-0 com o Manchester City, num dia em que tudo correu mal à equipa, a começar por um golo sofrido aos 20 segundos e que terminou com a equipa a desmoronar-se no último quarto de hora.


Não podia ter começado pior o jogo para o FC Porto, que sofreu o primeiro golo logo aos 20 segundos, depois de Otamendi errar um passe, permitindo a Toure isolar Aguero, que rematou cruzado, sem hipóteses para Helton.


O FC Porto reagiu, jogou no meio-campo do adversário e aos 17 minutos dispôs de uma grande oportunidade para empatar, quando Varela, isolado por Lucho, rematou à figura de Hart.


A equipa continuou a crescer na partida, teve um período de intenso domínio e pressão ofensiva, só quebrado por um contra-ataque de Aguero em que o remate bateu na trave.


Em cima do intervalo, um livre do Hulk foi desviado pelo corpo de um adversário e do canto respectivo Otamendi rematou por cima, quando estava em excelente posição.


Na segunda parte o FC Porto aumentou a pressão, chegou a fazer golo, numa emenda de James, que o árbitro invalidou por fora de jogo de Hulk, teve várias bolas de perigo, mas acabou por sofrer o segundo golo num contra-ataque que Dzeko concluiu com competência.


A eliminatória estava perdida e o City ainda haveria de aproveitar novo erro alheio para fazer o 3-0, por intermédio de Silva, numa altura em que a equipa estava reduzida a dez unidades, por expulsão de Rolando. Dois minutos depois, Pizarro fechou o resultado.


O FC Porto despede-se da Liga Europa com um resultado muito pesado, num final de tarde em que tudo correu mal.


FICHA DE JOGO

Manchester City - FC Porto, 4-0

Liga Europa, 16-avos-de-final, 2.ª mão
22 de Fevereiro de 2012
Estádio Cidade de Manchester, em Manchester
Assistência: cerca de 40 mil espectadores


Árbitro: Wolfgang Stark (Alemanha)
Árbitros assistentes: Jan-Hendrik Salver e Mike Pickel
Quarto árbitro: Marco Fritz
Árbitros assistentes adicionais: Florian Meyer e Deniz Aytekin


MANCHESTER CITY: Hart; Richards, Kompany (cap.), Lescott e Clichy; De Jong e Barry; Silva, Yaya Touré e Narsi; Aguero
Substituições: Barry por Milner (78m), Nasri por Dzeko (69m) e sdf por dfd (88m), Aguero por Pizarro (80 m)
Não utilizados: Pantilimon, Zabaleta, Savic e Balotelli
Treinador: Roberto Mancini


FC PORTO: Helton; Maicon, Rolando, Otamendi e Alex Sandro; Fernando, Lucho e João Moutinho; Varela, Hulk (cap.) e James
Substituições: Otamendi por Sapunaru (63 m), Varela por Rodríguez (63 m), James por Defour (80 m)
Não utilizados: Bracali, Tomás, Djalma e Kléber
Treinador: Vítor Pereira


Ao intervalo: 1-0
Golos: Aguero (1 m), Dzeko (76 m), Silva (84 m), Pizarro (86 m)
Cartão amarelo: Rolando (14 e 76 m), Lucho González (14 m), Otamendi (27 m), João Moutinho (30 m), Toure (67 m)
Cartão vermelho: Rolando (76 m)» in http://www.fcporto.pt/Noticias/Futebol/noticiafutebol_futmancityfcp_220212_67124.asp


2012.02.22 (17h00) - Manchester City 4-0 FC Porto

F.C. do Porto Hóquei Patins: Paço de Arcos 4 vs F.C. do Porto Império Bonança 7 - Dragões voltam às vitórias e continuam na frente do campeonato!




«DRAGÕES REGRESSAM ÀS VITÓRIAS EM PAÇO DE ARCOS


O FC Porto Império Bonança venceu, em Paço de Arcos, a equipa local, por 7-4, em encontro da 16.ª jornada do Nacional da I Divisão disputado na noite desta terça-feira, mantendo, assim, o primeiro lugar da competição e fechando um ciclo de duas derrotas consecutivas, sofridas nos Açores, frente ao Candelária, e em Itália, perante o Valdagno.


Os decacampeões nacionais, que atingiram o intervalo a vencer por 4-1, tiveram em Pedro Moreira e Reinaldo Ventura os melhores marcadores, com dois golos cada. Pelos Dragões, marcaram ainda Filipe Santos, Gonçalo Suíssas e Caio.


Na próxima jornada, os azuis e brancos, que somam 42 pontos, mais cinco do que o Benfica (recebe o HC Braga esta quarta-feira), deslocam-se a Almeirim, para defrontar os Tigres, a partir das 18h00 de sábado.» in http://www.fcporto.pt/OutrasModalidades/HoqueiPatins/Noticias/noticiahoquei_hoqparcosfcp_210212_67108.asp

Música Pop/Rock - Hole, mais uma excelente banda do final do século XX!




Hole - "Violet"

Hole - "Letter To God"
Hole - "Malibu"
Hole - "Doll Parts"
Hole - "Gold Dust Woman" - (High Quality)
Hole - "Paradise City" - (1999)
Hole - "Bittersweet" -(1999 Big Day Out Festival, Sydney, Australia)
Hole - "Gold Dust Woman" - (High Quality)


«Hole 


Hole performing live in March 2010.
Background information
Origin Los Angeles, California, United States
Genres Alternative rock, grunge, punk rock, noise rock
Years active 1989–2002, 2009–present
Labels Sympathy for the Record Industry, Sub Pop, Caroline, DGC/Geffen, City Slang, Mercury
Associated acts Sugar Babydoll, Pagan Babies, Doll Squad, Babes In Toyland, Janitor Joe, Tinker, Rodney & the Tube Tops, The Smashing Pumpkins, RRIICCEE, MAdM, Bastard, The Chelsea, Larrikin Love, Ozric Tentacles
Website www.holerock.net
Members
Courtney Love
Micko Larkin
Scott Lipps
Past members
Lisa Roberts
Caroline Rue
Mike Geisbrecht
Errol Stewart
Jill Emery
Patty Schemel
Leslie Hardy
Kristen Pfaff
Melissa Auf der Maur
Samantha Maloney
Eric Erlandson
Shawn Dailey
Stu Fisher
Hole is an American alternative rock band that originally formed in Los Angeles. Formed in 1989, the band is fronted by singer-songwriter Courtney Love (vocals, rhythm guitar), who co-founded Hole with Eric Erlandson (lead guitar). Hole achieved considerable commercial and critical success throughout the 1990s, initially releasing singles through independent labels in L.A. and debuting with their caustic noise rock-influenced Pretty on the Inside (1991),[1][2] and later gaining near-unanimous critical acclaim with their 1994 album Live Through This.
As the band progressed into the later 1990s, they incorporated elements of pop rock into their sound.[3] The band's third album, Celebrity Skin (1998), fused hard rock with various pop elements, contrasting to their previous styles. Celebrity Skin went on to be the band's most commercially successful album, garnering them immense critical attention as well as several Grammy nominations.
The group officially disbanded in 2002 and its members began solo careers and other projects. In 2009, Love announced she was reforming Hole with former Larrikin Love guitarist Micko Larkin, along with two other young male musicians whom Love recruited out of London. Erlandson, however, stated that no reunion could take place contractually without mutual involvement between Love and Erlandson. On January 1, 2010,[4] a website promoting Hole's latest release, Nobody's Daughter, was launched, with links to various social media pages including Facebook, Twitter, YouTube and MySpace.
Despite the dispute between Erlandson and Love, the new Hole album was released in April 2010 and the band toured Europe and North America in support of the record.[5]
Contents [hide]
1 History
1.1 Original band (1989-2002)
1.1.1 Background
1.1.2 Formation and early years (1989-1991)
1.1.3 Pretty on the Inside and tour (1991-1992)
1.1.4 Live Through This and mainstream success (1992-1995)
1.1.5 Hiatus and retrospective releases (1996-1997)
1.1.6 Celebrity Skin era (1997-1999)
1.1.7 Second hiatus and disbandment (1999-2002)
1.1.8 Post-Hole (2002-2009)
1.2 Reformation (2009-present)
1.2.1 Nobody's Daughter era (2009-present)
2 Members
2.1 Current lineup
2.2 Former members
2.3 Timeline
3 Discography
4 Chart positions
5 Awards and nominations
6 References
7 External links
[edit]History


[edit]Original band (1989-2002)
[edit]Background
Hole formed in Los Angeles in August 1989 by its two central members, Courtney Love and Eric Erlandson.
Love had grown up in Oregon and had a fairly troubled childhood, bouncing between foster homes and juvenile systems due to her anti-authoritarian and often reckless behavior. Her parents were both fledgling hippies; her mother came from a wealthy adoptive family, and her father had been a roadie for The Grateful Dead in San Francisco in the late 1960s. Love became legally emancipated when she was 16 and traveled to England, Ireland, and Japan on a trust fund before returning to Oregon and falling in with Portland's punk scene in the 1980s. Throughout her teenage and early adult years, Love worked as a stripper in order to support herself and briefly attended several colleges intermittently. Fascinated by music, she had several unsuccessful attempts at starting bands, mostly with friend Kat Bjelland. She started two bands in her early adulthood, both of which were fruitless; firstly, Sugar Babydoll in Portland, and later, The Pagan Babies in San Francisco; she also briefly sang in Faith No More. Love made a slight break into the entertainment industry when she landed roles in two Alex Cox films, Sid & Nancy (1986) and Straight to Hell (1987), but was dissatisfied with the experience and eventually moved to Los Angeles, intent on forming a band. Love noted that the "cathartic" nature of music is what drew her to it, and also cited traumatic life experiences as being a motivation: "Start with day one and keep going. [My life was traumatic] from the exact moment of my birth and onward. I always wanted to be in a band. The concept of life just hit me one day."[6]
Erlandson was a California native and had grown up in San Pedro. He began playing music in his teenage years, and, like Love, noted that traumatic experiences also drew him to music, one of which was finding a dead body: "I was walking along the tide pools [in San Pedro], and I found a dead body. I thought they were filming a movie, it was this body that was pure white, it had been thrashed around a few days in the water, hitting the rocks. I walked up close to it and 'oh my God!'... then I saw Kiss and Aerosmith and it was all over. I don't know. I had to be a rock star."[6] Erlandson attended Loyola Marymount University where he studied economics and marketing, and then traveled to Europe in 1988, trying to figure out "what to do with his life". He was working as a royalties manager at Capitol Records when he met Love, managing the royalties of Paul McCartney and Tina Turner.[7]
[edit]Formation and early years (1989-1991)




Flyer made by Courtney Love promoting a Hole show in Los Angeles, August 1991.
Hole formed after Eric Erlandson replied to an advertisement placed by Courtney Love in punk rock fanzine Flipside. The advertisement simply read: "I want to start a band. My influences are Big Black, Sonic Youth, and Fleetwood Mac."[8] Love had several responses to the ad, but chose Erlandson. In retrospect, she said: "He had a Thurston [Moore] quality about him. He was tall, skinny, blonde. He dressed pretty cool, and he knew who Sonic Youth were... he's an intensely weird, good guitarist, and he's the glue that kept me together."[9]
Love has joked that she took the name for the band from "my husband's favorite drinking spot",[10] but this claim is dubious since she met Kurt Cobain, her second husband, the year after Hole was formed. Love, during in an interview on Later... with Jools Holland, claimed the name was inspired by a quote from Euripides' Medea which read "there's a hole that pierces my soul." Additionally, Love has cited a conversation with her mother as being a primary influence for the band's name. In an interview with Flipside magazine in fall 1990, Love said of the band's name: "the name came from my mom. She's like, a therapist, and I said "I had a really fucked childhood", and she said "Well Courtney, you can't walk around with a big hole inside of yourself about it.""[6]
The band's first rehearsal took place in Fortress Studios in Hollywood, where Love, Erlandson and original bassist Lisa Roberts "played something noisy" while "they [Courtney and Lisa] started screaming their poetry at the top of their lungs for two or three hours."[11] Initially, the band had no percussion, until Love met drummer Caroline Rue at a Gwar show.[6] They also recruited a third guitarist, Mike Geisbrecht, and began to perform live. Hole's first show took place at Raji's — a small club in Hollywood — in September 1989. The band played three more shows throughout 1989: at The Shamrock in Los Angeles on October 17, 1989, Nightmoves in Huntington Beach on November 11, 1989 and at Hollywood Live Club on November 17, 1989.
The band's early shows were notable for featuring lots of experimental playing, distortion, and guitar feedback— a style that would be heavily present in their eventual studio material— and Courtney Love interacting a lot with the audience. At the beginning of their third show at Nightmoves, the theme from Phantasm (1979) was played, and Love introduced the band, saying: "We're Hole. Some of you will like us, and some of you will hate us."[12] Several notable songs were performed at these shows, including the band's eventual debut single, "Retard Girl", as well as "Phonebill Song", "Berry", and "Turpentine", all of which would eventually make it onto studio recordings.
From the beginning, Hole was primarily influenced by punk, noise rock, and no wave music, which is evident from their earliest recordings. Both Love and Erlandson were big fans of the notorious LA punk band The Germs, and Love once had a "Germs burn" (a circular burn on the arm given to followers and members of the band) given to her by Germs guitarist Pat Smear, who would later play in Nirvana.[13] In a 1996 interview for a Germs tribute documentary, Erlandson said: "I think every band is based on one song, and our band was based on "Forming"... Courtney brought it into rehearsal, and she knew, like, three chords and it was the only punk rock song we could play."[13] Love also noted early on that the band was "heavily into lyrics", and that they were "the most important thing" to her.[6] The band's music also had a very pro-feminist stance, particularly from Love. In an interview on the topic, she referred to hair bands such as Poison as "drag queens" and said, "they dress up like women therefore they get to confront emotional issues. The whole feminization of men in heavy metal speaks for itself. Well, scratch that, because I want to transcend this whole 'chick thing'. Fuck this chick thing. The whole thing with music is that it's cathartic, and if it wasn't cathartic then I wouldn't want to play it."[6]
Before Hole began to develop a fanbase, guitarist Mike Geisbrecht left and was replaced briefly by Errol Stewart, who left a few weeks later. Roberts also left the group at some point in early 1990. After Geisbrecht and Roberts' departure, Hole recruited Jill Emery on bass and began recording studio material, as well as playing (and often headlining) local rock shows in Los Angeles. After several months of live performances, the band released their debut single: "Retard Girl" in 1990, and followed it with "Dicknail" in 1991, released on Sympathy for the Record Industry and Sub Pop, respectively. According to KROQ-FM disc jockey Rodney Bingenheimer, Love would often "hang out" at a Denny's on Sunset Blvd. where he went for coffee in the mornings to try to convince him to play "Retard Girl" on his station.[14] Bingenheimer jokingly said that she would practically "stalk him" every morning.
The band became known at the time for Love's wild onstage behavior, and her ability to really "rile up" the crowd.[9] As the group began to make decent money as an underground band, A&R reps and music labels started to appear at their shows. After one show, the band was approached by a major music label representative, who told Love they needed a more "full sound", to which she replied "fuck off".[9] The group played shows at several legendary rock bars during this time, particularly at the Whisky a Go Go in West Hollywood and CBGB in New York.
[edit]Pretty on the Inside and tour (1991-1992)


"Pretty on the Inside"


from Pretty on the Inside (1991) – the title track to the band's debut album, featuring a more aggressive and raw sound than what they would later become known for.
Problems listening to this file? See media help.
After nearly two years of live performances and making singles, the band began to consider their first studio album. In searching for a label to release the album, the group was approached by both Sub Pop and Sympathy for the Record Industry, who had previously released singles for them, but Love declined their offers. Instead, the band signed onto Caroline Records, and Love sought Kim Gordon of Sonic Youth to produce the album for her. Sending a letter, a Hello Kitty barrette, and copies of the band's early singles to Gordon, Love mentioned that the band greatly admired Gordon's work and appreciated "... the production of the SST record"[15] (either referring to Sonic Youth's album Sister or EVOL), also noting that they would "prefer to work with a woman" and would be "forever honored" should Gordon produce. Gordon agreed, and Gumball's Don Fleming assisted in production.
Hole released the debut album, titled Pretty on the Inside, in August 1991, to vast praise from underground critics, especially in the United Kingdom where the band did an extensive tour with Daisy Chainsaw, Mudhoney, and Therapy?. Hole also toured North America and the rest of Europe in support of the record. Upon the album's release, it was branded by underground music critics as "loud, ugly and deliberately shocking."[16] A 1991 review in Spin said that the album "revolves around a fascination of the repulsive aspects of L.A.— superficiality, sexism, violence, and drugs. Love is the embodiment of what drives the band: the dichotomy of pretty/ugly... The pretty/ugly dynamic also comes across in Hole's music... a song like "Teenage Whore" at first comes across like a ranting noisy rage, but underneath is a surprisingly lush melody."[9] Spin also ranked the album in their "20 Best Albums of the Year" list,[17] and it was voted album of the year by New York's Village Voice.[18] The album peaked at number 59 on the UK albums chart,[19] and sold well for an independent release.




1991 press release photo of the band. From left to right: Courtney Love, Caroline Rue, Eric Erlandson, and Jill Emery.
The album spawned one single, "Teenage Whore", which entered the UK Indie Chart at number one,[20] as well as the band's debut music video for the song "Garbadge Man". Musically and lyrically, the album was very abrasive, characterized by overt noise and feedback, chaotic guitar riffs, graphic lyrics, and a variation of Love's vocals ranging from whispers to guttural screaming.[21] The album also featured guitar riffs lifted verbatim from Neil Young and Bauhaus songs,[22] as well as a sample from Fleetwood Mac's "Rhiannon". In later years, Courtney Love referred to the album as "unlistenable", despite its critical accolades and eventual cult following.[23][24]
In October 1991, Love became romantically involved with Kurt Cobain of Nirvana (the two had initially crossed paths in 1989 in Portland, Oregon). Meanwhile, a fair amount of drama occurred during the band's tour to promote Pretty on the Inside. While playing in London with Mudhoney, Love had her clothes violently torn off of her while stage diving, an event that would later become the inspiration for the song "Asking for It". According to Love, after jumping off the stage, her dress and underwear were torn off of her by audience members, people "shoved their fingers inside of her", and she was "completely naked" when she got back onstage:[25] "I felt like Karen Finley. But the worst thing of all was that I saw a photograph of it later— someone took a picture of me right when this was happening, and I had this big smile on my face like I was pretending it wasn't happening. I can't compare it to rape because it's not the same. But in a way it was. I was raped by an audience— figuratively, literally, and yet, was I asking for it?"[25][26]
Another notable incident occurred on the next-to-last show of the tour on December 19, 1991 at the Whisky A Go Go, where Hole opened for The Smashing Pumpkins. Courtney Love infamously smashed her guitar onstage in a fit of anger after the audience failed to respond well to their set, and Erlandson "demolished" his instrument as well.[27] That same evening, roadie Joe Cole, who had attended the concert with friend Henry Rollins, was murdered in a robbery after arriving home.[28] Love was an acquaintance of Cole's,[28] and the band later dedicated their second album to him.
The following month, Courtney Love and Kurt Cobain discovered they were expecting a child and feared for its health, since they had used heroin before becoming aware of the pregnancy.
[edit]Live Through This and mainstream success (1992-1995)
Following the success of Pretty on the Inside, Hole began planning a second album in 1992. In the midst of this, Courtney Love and Kurt Cobain were married on February 24, 1992, and gave birth to their daughter, Frances, on August 18 of that year. Love, at the time, had purportedly wanted to transition from Hole's grittier punk rock style to a more melodic, pop-influenced rock format on their next album, which bassist Jill Emery did not want to partake in. "Courtney wanted to be pop, she wanted to change. I don't mind changing, I love it, but I didn't want to go from A to Z— it just felt fake", said Emery.[29] Emery left the band shortly after Love married Kurt Cobain, and drummer Caroline Rue followed. In an advertisement to find a new bass player, Love wrote: "[I want] someone who can play ok, and stand in front of 30,000 people, take off her shirt and have 'fuck you' written on her tits. If you're not afraid of me and you're not afraid to fucking say it, send a letter. No more pussies, no more fake girls, I want a whore from hell."[15][30] In April 1992, drummer Patty Schemel was recruited at the advice of Kurt Cobain, but the band spent the rest of the year without a stable bassist.
As a result of Pretty on the Inside's success and the furious press coverage around Courtney Love and husband Kurt Cobain, Hole was signed to Geffen Records with an eight-album contract in late 1992, after many meetings with major labels during Courtney Love's pregnancy. Around that time they recruited Janitor Joe bassist, Kristen Pfaff. In the spring of 1993, the band released their single "Beautiful Son", which was recorded before Pfaff had joined the band. The new line-up performed many concerts throughout 1993 (including the Phoenix Festival on July 16). The band's 1993 set-lists featured many songs from their upcoming major label debut, "Live Through This", which was recorded at Triclops Studios in Marietta, Georgia in October 1993. The studio was recommended to Love by Billy Corgan, who had recorded the Smashing Pumpkins album Siamese Dream there.
In March 1994, Love and husband Kurt Cobain individually checked themselves into rehab clinics in Los Angeles for purported heroin addiction.[29] Cobain checked himself out of rehab shortly after arriving and returned to Seattle, just a week before the release of Hole's second album. The album, titled Live Through This, was released on April 12, 1994, and in tragic timing— four days after finding that Love's husband, Cobain, had died in their Seattle home. In the days following his death, Love mourned with fans outside their house, and a recording of her reading his note was played at a memorial service in Seattle, where she arrived shortly after the ceremony to distribute some of his clothing to fans.[31]




Back cover art of Live Through This, exhibiting the mislabeled closing track "Rock Star". The photo on the left is of Courtney Love during her childhood in Oregon.
Cobain's death also stirred controversy surrounding the final track on Live Through This— "Rock Star"— which contained lyrics that read: "How'd you like to be Nirvana?/ So much fun to be Nirvana / A barrel of laughs to be Nirvana / Say you'd rather die". The song was inexplicably taken off of the album and replaced by an outtake titled "Olympia". It is widely believed that, because the song lyrics appeared inappropriate in the wake of Cobain's suicide, the song was replaced. However, by the time the decision to remove "Rock Star" was made, the artwork and inserts for the album had already been printed, so the title "Rock Star" remains the official title of the song.
Amidst the emotional impact and hysteria surrounding Cobain's death, Live Through This was a critical success, and spawned a slew of fairly popular singles: "Doll Parts", "Violet", "Miss World" and "Softer, Softest". The album went multi-platinum and was hailed "Album of the Year" by Spin magazine[32] and received unanimously rave reviews from major music periodicals.[33][34] NME called the album "a personal but secretive thrash-pop opera of urban nihilism and passionate dumbthinks",[35] and Rolling Stone said the album "may be the most potent blast of female insurgency ever committed to tape".[36]
Despite the critical praise for Live Through This, furious rumors circulated insinuating that Cobain had actually written the majority of the album, though the band vehemently denies this.[29] They did, however, state that Love convinced Cobain to provide backing vocals on "Asking for It" and "Softer, Softest" while visiting the studio, and music producers present during the recording sessions noted that Cobain seemed "completely unfamiliar" with the songs.[37] According to Rolling Stone rock journalist Gavin Edwards, Love and Cobain had written songs together in the past, but opted to not release them because it was "a bit too redolent of John and Yoko".[37] Incidentally, Love has revealed that the alternate mix of "Asking for It" featuring Cobain, was planned to be released as a single before his suicide occurred.
With Love dealing with Cobain's death, the band pushed forward to prepare for a tour to promote the massively successful album, but it came to a halt when bassist Kristen Pfaff died that June of an apparent heroin overdose.[29] Hole pulled out of the upcoming Lollapalooza festival, which was also going to include Cobain's band, Nirvana. The band disappeared from the media spotlight in the summer of 1994, and on September 1, played their first headlining show since the album's release at the Phoenix Theatre in Toronto, dedicating it to Kristen. The band, now with Melissa Auf der Maur on bass, recruited by Love at Billy Corgan's suggestion, toured extensively throughout late 1994 and 1995, and the tour became notorious for its press coverage surrounding Love's fragile emotional state.
Appearances included the KROQ Almost Acoustic Christmas, Saturday Night Live, the Big Day Out festival, MTV Unplugged, the Reading Festival, and Lollapalooza 1995. Perhaps most infamously, the band was asked to play at MTV Video Music Awards, where they were nominated for the "Doll Parts" music video.[38] They also performed "Violet" at the awards show. Before the song, a clearly distraught Love dedicated the performance to Cobain, Pfaff, Joe Cole, and River Phoenix, all of whom had recently died. Love ended the performance by chanting "God bless your soul", throwing her guitar into the air, pushing over a microphone stand into the audience, and knocking over stereo equipment before exiting the stage.[39]


"Doll Parts"


from Live Through This – This song from Hole's popular second album illustrates Hole's grunge influence as well as Courtney Love's distinctive vocals.
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During this time period, Love's stage antics had grown wild, garnering much attention from the press. At Lollapalooza on July 4, 1995, in George, Washington, Love punched Bikini Kill singer Kathleen Hanna in the face and pelted her with candy and a burning cigarette, after Hanna had allegedly made a drug joke about Love's two-year-old daughter.[40][41] Love went to court over the case and was sentenced to anger management classes. More controversy was stirred at a Pittsburgh Lollapalooza concert in the fall of 1995, when Love stormed offstage with the band in tears after an audience member threw shotgun shells at her,[42] referencing speculation that she may have been involved in husband Kurt Cobain's death.[43] A similar event had happened several months prior— at an April 1995 show at the Paradiso in Amsterdam, Love cursed at an audience member for throwing things at her, and eventually stormed off the stage with the band after playing only six songs.
Toward the end of the tour to promote Live Through This, the band released their first EP, titled Ask for It, in September 1995; it featured 1991 Peel session recordings of "Doll Parts" and "Violet", as well as covers of The Wipers' "Over the Edge" and "Pale Blue Eyes" by The Velvet Underground. After the band's tours in 1995, Hole entered the studio to begin work on a new album. There were multiple attempts to record Hole's third album, and one such attempt was in New Orleans in winter 1995. Interviews with Erlandson have confirmed the authenticity of this session, and the style is thought to have been a transition between the alternative style of Live Through This and the band's later pop-influenced sound, however no material from the sessions has surfaced.
[edit]Hiatus and retrospective releases (1996-1997)
Hole was thought to be on hiatus in 1996, due to Love's rising movie career which skyrocketed when she landed a lead role in The People vs. Larry Flynt (1996). Despite the reported hiatus and Love's acting career, the band recorded and released a cover of Fleetwood Mac's "Gold Dust Woman" for The Crow: City of Angels (1996), the band's first studio song to feature Melissa Auf der Maur on bass.
During the supposed hiatus, Hole released two retrospective albums: firstly, their second EP, titled The First Session (1997), which was composed of a complete version of the band's first recording session at Rudy's Rising Star in Los Angeles in March 1990, some of which had been bootlegged widely years prior. It featured the group's first ever recorded track, "Turpentine", which had previously been unreleased to the public, as well as their first single, "Retard Girl", and its two b-sides.
The same year, the band released their first compilation album, My Body, The Hand Grenade (1997), which was produced chiefly by Eric Erlandson; Love designed the packaging and artwork on the album.[44] The album was composed as a retrospective on the band's career, featuring early singles, mid-period b-sides and recent live tracks, illustrating their path from a "tiny L.A. basement studio into alternative rock superstardom".[44] One outtake from the Live Through This recording sessions which was included on this release was the controversial song, "Old Age". The history and writer of this song was the subject of controversy among Courtney Love detractors who believed Kurt Cobain had written Hole's second album, an allegation for which no evidence has ever surfaced. It was eventually learned "Old Age" had been written by Kurt Cobain for the Nevermind sessions in 1991, then given to Hole, whereupon its lyrics were rewritten by Love, who "tried to make it goth".[45] Another song featured on the album was "20 Years in the Dakota", which discussed Yoko Ono's struggles as John Lennon's wife, a position which Love herself has been frequently compared to, due to the perception that Ono drew Lennon away from The Beatles and that Love drew Cobain away from Nirvana. The album also featured a demo version of "Miss World", as well as recordings from a 1995 MTV Unplugged performance.
Although Hole as a band did not perform during 1996 and 1997, members of Hole performed separately, including Love's guest appearance at a Smashing Pumpkins' show in February 1996, at which she performed "Silverfuck" and "Farewell and Goodnight", with Smashing Pumpkins' frontman, and former boyfriend, Billy Corgan. Auf der Maur and Schemel also performed a show in Toronto in July 1996. Erlandson also collaborated with Thurston Moore of Sonic Youth and director Dave Markey in the short-lived project, Rodney & the Tube Tops, with whom he released one single.
[edit]Celebrity Skin era (1997-1999)
Hole's third studio album, Celebrity Skin (1998) adopted a complete new sound for the band, which had become known for its grunge and punk rock roots. Featuring a more pop-oriented sound, Celebrity Skin was a critical success with strong sales and successful singles, including the title track, "Celebrity Skin", "Malibu", and "Awful". Eric Erlandson told Rolling Stone, "I still think a lot of Celebrity Skin is my Johnny Thunders influence coming up – which Courtney just fucking hates."[46]
The album was recorded in Conway Recording Studios in Los Angeles throughout 1997, after many "fruitless attempts" in Miami, London and New York. Although Patty Schemel is listed as drummer in the liner notes of the record, she did not actually appear on the record as she had left the band prior to the main recording sessions and was in turn replaced by a session drummer (the band would eventually recruit drummer Samantha Maloney for the tour). The studio work on Celebrity Skin took almost a year and a half— according to Erlandson, Courtney was more focused on song-writing and singing and "did not care about her instrument". Eric also noted that Billy Corgan, who co-wrote a large portion of the album, played bass on "Hit So Hard".
In reaction to public speculation that Kurt Cobain had written the band's second album, Celebrity Skin's liner notes listed explicitly every musician's contribution to the record, specifying authorship for every song. Love wrote a comprehensive amount of the lyrics, while Erlandson, assistant-producing alongside Michael Beinhorn, had a hand in every song. Co-songwriters on the album also included Melissa Auf der Maur, Patty Schemel, Jordon Zadorozny of Blinker the Star, and Charlotte Caffey of The Go-Go's, each contributing pieces to a number of songs, however the most notable contributor was Billy Corgan, who co-wrote five of the twelve songs on the album.
Nonetheless, as with the rumors surrounding the writing credits on Live Through This, unwarranted controversy stirred over the authorship of the songs. Upon its release, Corgan made references that he should have "been given credit" for writing the entire album.[47] Eric Erlandson responded to Corgan's statements in a Rolling Stone interview, commenting: "We were working on all the stuff that Courtney and I had already written. Billy really facilitated things, in a way... I would bring in the music, Courtney would start coming up with lyrics right away, and [Billy] would help map it all out." Erlandson also stated: "Courtney writes all her own lyrics. Nobody else is writing those lyrics and nobody ever has."[46]
One journalist took note of the controversy when reviewing the album, stating: "Back in 1994, the acclaim for Live Through This was undercut by whispers that Love's late husband wrote the album. Combine those conspiracy theories with the unfounded but persistent rumor that Cobain was actually murdered, and it is no surprise that, in the song "Celebrity Skin", Love calls herself a walking study in demonology."[47]
The album received unanimously positive reviews, with praise from music periodicals such as Rolling Stone, NME, and Blender,[48][49] as well as a four-star review from the Los Angeles Times,[50] calling it a "wild emotional ride" sure to be "one of the most dissected and debated collections of the year."[50] The album charted incredibly well, peaking at number 9 on the Billboard 200, and garnering the band its first and only number 1 single, "Celebrity Skin", which topped the Modern Rock Tracks. "Malibu" was the album's second successful single, making it to number 3 on the Modern Rock Tracks. Commercially speaking, Celebrity Skin went on to be the band's greatest success.
In the winter of 1998-99, Hole went on tour to promote Celebrity Skin, and made further appearances at festivals throughout 1999 after an extensive American and European tour. Hole and Marilyn Manson toured together, with Manson promoting his then-recent album, Mechanical Animals (1998) on the "Beautiful Monsters Tour". The tour turned into a publicity magnet, and Hole dropped out of the tour nine dates in, due to both the majority of the fans being Manson's, who were not very interested in the Hole performances, and the financial arrangement for the bands (50/50 cost and revenue splitting) as a reason for discontinuing the tour (Hole had relatively little production costs and ending up paying a large amount for Manson's high cost production).[51] Manson and Love often mocked one another onstage as well, and Love attacked Manson's stage antics, which included tearing up a Bible during performances: "You know, whenever somebody rips up the Bible in front of 40,000 people, I think it's a big deal," she said during a 1999 interview.[14] The band played one last show on the tour after a poorly-received concert at Portland's Rose Garden Arena, which ended with Manson fans booing the band and Love dropping her guitar and walking offstage after a 45-minute set.[52]
Nonetheless, Melissa Auf der Maur considered the tour "the best [we] ever were as a live band", and documented the Celebrity Skin concerts by taking photographs, several of which were featured in National Geographic music editorials.[53] As noted by Auf der Maur, it was a "daily event" for Love to invite audience members onstage to sing with her for the last song at nearly every concert performed during the tour.[53]
On June 18, 1999 during Hole's set at the Hultsfred Festival in Sweden, a 19-year old girl died after being crushed by the mosh pit behind the mixing board. The band did not comment on her death.[54] Hole played its final show at Thunderbird Stadium in Vancouver on July 14, 1999.
[edit]Second hiatus and disbandment (1999-2002)
In October 1999, Auf der Maur quit Hole and went on to become a touring bassist for The Smashing Pumpkins. Samantha Maloney also quit a few months later. Despite being the only two remaining members of the group, Love and Erlandson still continued with Hole. The band's final release was a single for the movie Any Given Sunday (1999). "Be a Man", released in March 2000, was an outtake from the Celebrity Skin sessions, and was another song co-written by and including bass-work by Corgan.
Love and Erlandson officially disbanded Hole via a message posted on the band's website in 2002.
[edit]Post-Hole (2002-2009)
After the split, the four musicians each took on projects of their own. Erlandson continued to work as a producer and session musician, eventually forming the experimental group RRIICCEE with controversial artist, Vincent Gallo and Love began a solo career, releasing her debut, America's Sweetheart in 2004. Melissa Auf der Maur also embarked on a solo career, and released her self-titled debut album in 2004, which also included Erlandson on lead guitar on the track, "Would If I Could." Her second album, Out of Our Minds, was released on March 30, 2010.
Hole's original body of work includes thirteen singles, six Grammy nominations, three LPs, three EPs, one compilation album and 10 music videos.
[edit]Reformation (2009-present)
[edit]Nobody's Daughter era (2009-present)




Courtney Love and guitarist Micko Larkin performing at Bumbershoot in Seattle, Washington in September 2010.
On June 17, 2009, NME posted two in-depth blogs, and links to two interviews, of Courtney Love announcing the reunion of Hole. The article was primarily focused on Love's upcoming solo release, Nobody's Daughter, yet it claimed with the "rock Courtney back in action, this music could only come out under one name, Hole". According to the blog post, Melissa Auf der Maur would once again be bassist, with Micko Larkin replacing Eric Erlandson, and a drummer was not mentioned. There was also mention of "tours next year".[55] However, days later, Melissa Auf der Maur, interviewed in Toronto where she was appearing at the North by Northeast music festival, said she had "no clue" about the band's reported reunion and denied the NME claim she had, or was asked to, contribute vocals to the album or had been asked to tour with the purportedly reunited band saying, "I actually don't know [about the reunion]...I arrived at [the music festival in Toronto] and I heard that Hole were getting back together from people sending me links," she said. Auf der Maur did, however, state that she had been asked by Love to do harmonies on the album, but nothing else.[56]
Eric Erlandson stated in a Spin magazine that contractually no reunion can take place without his involvement, therefore Nobody's Daughter would remain Love's solo record, as opposed to a "Hole" record. Erlandson stated that he and Love "have a contract",[57] which was later revealed to be a contract preventing either from reforming Hole without mutual involvement. Love then responded to Erlandson's comments in a Twitter post, claiming that "he's out of his mind, Hole is my band, my name, and my Trademark". Shortly after this quarrel Love began posting new Hole logos, stage ideas, and guitar pick ideas on her Facebook page, implying, though not confirming, that Hole had reformed. In a later interview, just days before the expected release of Hole's Nobody's Daughter, Erlandson explained how "[Courtney's] management convinced me that it was all hot air and that she would never be able to finish her album. Now I'm left in an uncomfortable position."[58]
In December 2009, three upcoming shows were announced in New York, Milan and Amsterdam, at The Standard Hotel's Boom Boom Room, the Magazzini Generali and Paradiso respectively,[59][60] though flyers from the New York show credit the performer solely as Courtney Love. The official Paradiso website issued a press release the same month stating Melissa Auf der Maur would partake in the show, but when asked by a fan on her official Facebook fan page, Auf der Maur claimed that "[this] mysterious press release is news to me [...] putting my detective hat on now [...] more on this soon." The Paradiso's website claimed in January 2010 that "many quarrels are settled."[60]
Auf der Maur stated in an interview with New York Magazine in April, 2010: "Even in rock and roll, I believe there's a right and wrong. I'm still close friends with Eric, and he's the only one who can do anything on his end about it. He's a peaceful man who has made great efforts in his own life to find peace. I feel protective of the legacy of Hole and my memories in it. It wasn't even so much about doing a reunion. I told Courtney, 'I support the retrospective of everything done in that time. If and when you're ready to look at that, I'll support it.' What's so funny is that she can come out and say that I asked her to do a reunion. That's not exactly what was said. What I said was that I think a retrospective would be incredibly valuable right now and that's obviously not where she's at. I've always wished the best for her. I want her to be happy. I want her to be musical. I care about her well-being. When she gets an idea in her mind, that's what she stays with regardless of what other people think or feel."[61]
Hole launched a new website, and an official Facebook page on January 1, 2010. The band played its first performance since the reunion on February 12, 2010 on Friday Night with Jonathan Ross playing "Samantha". On February 17, 2010 they played a full set at the O2 Shepherds Bush Empire, with support from Little Fish.[62] Further shows were performed at 02 Academy Brixton and SPIN's annual SXSW music festival, with further dates being added for the United States and United Kingdom in April and May 2010. Television appearances, in efforts to promote the upcoming album, include performing on Late Show with David Letterman on April 27, Jimmy Kimmel Live! on April 29 and on Later with Jools Holland on the 4th of May. On March 16, the first Hole single in ten years, and first from Nobody's Daughter was released, titled "Skinny Little Bitch". It was the most added song on alternative radio and the second most added song on active rock in early March in the United States, debuting at #32 on Billboard's Alternative Singles Chart.
Nobody's Daughter was released on April 26 and 27, 2010 worldwide through Mercury Records, and was received by music critics with moderately positive acclaim.[63] Rolling Stone gave the album three out of five stars, but noted "[while Love] was an absolute monster vocalist in the nineties, the greatest era ever for rock singers... She doesn't have that power in her lungs anymore — barely a trace. But at least she remembers, and that means something in itself." The magazine also referred to the album as "not a true success", but a "noble effort".[64] Love's voice, which had been noticeably raspier (likely due to years of scream-singing, drug abuse, and smoking) was compared to the likes of Bob Dylan.[65]
NME, however, gave the album a 6/10 rating, and Robert Christgau rated it an "A-", saying, "Thing is, I can use some new punk rage in my life, and unless you're a fan of Goldman Sachs and BP Petroleum, so can you. What's more, better it come from a 45-year-old woman who knows how to throw her weight around than from the zitty newbies and tattooed road dogs who churn most of it out these days. I know--for her, BP Petroleum is just something else to pretend about. But the emotion fueling her pretense is cathartic nevertheless."[66]
On March 28, 2011, Love, Erlandson, Patty Schemel and Auf der Maur appeared at the New York screening of Schemel's documentary Hit So Hard: The Life & Near Death Story of Patty Schemel at the Museum of Modern Art.[67] The appearance was first time in thirteen years that all four members appeared together in public. Schemel has expressed a desire to record with Love, Erlandson and Auf der Maur stating "nothing has been discussed, but I have a feeling."[67] After the screening, the four took part in a Q&A session where Courtney Love stated: "For me, as much as I love playing with Patty — and I would play with her in five seconds again, and everyone onstage — if it's not moving forward, I don't wanna do it. That's just my thing. There's rumblings; there's always bloody rumblings. But if it's not miserable and it's going forward and I'm happy with it… that's all I have to say about that question."[68]
In May 2011, a video for "Samantha" was shot. It was the first promotional video for Nobody's Daughter, over a year after its release, and Hole's first official music video in eleven years since "Be a Man" in 2000. In September 2011, Hole played for ONE Management's 10th anniversary party. This concert marked Scott Lipps's first performance as drummer Stu Fisher's replacement. Love recently updated a status on her Twitter account stating that she was in the studio with the band and Scott Lipps recording their 5th album.
[edit]Members


[edit]Current lineup
Courtney Love – lead vocals, rhythm guitar (1989–2002, 2009–present)
Micko Larkin – lead guitar (2009–present)
Scott Lipps - drums, percussion (2011–present)
[edit]Former members
Shawn Dailey – bass (2009–2012)
Stu Fisher – drums, percussion (2009–2011)
Eric Erlandson – lead guitar (1989–2002)
Samantha Maloney – drums, percussion (1998–2000)
Melissa Auf der Maur – bass, backing vocals (1994–1999)
Patty Schemel – drums, percussion (1993–1997)
Kristen Pfaff – bass, backing vocals, piano (1993–1994)
Leslie Hardy – bass, backing vocals (1992)
Jill Emery – bass (1990–1992)
Caroline Rue – drums, percussion (1989–1992)
Lisa Roberts – bass, backing vocals (1989-1990)
Errol Stewart – guitar (1989)
Mike Geisbrecht – guitar (1989)» in Wikipédia.




"Malibu Crash and burn
All the stars explode tonight
How'd you get so desperate?
How'd you stay alive?

Help me please
Burn the sorrow from your eyes
Oh, come on be alive again
Don't lay down and die

Hey, hey
You know what to do
Oh baby, drive away to Malibu

Get well soon
Please don't go any higher
How are you so burnt
When you're barely on fire?
Cry to the angels
I'm gonna rescue you
I'm gonna set you free tonight, baby
Hold on to me

Hey, hey
We're all watching you
Oh baby, fly away to Malibu
Cry to the angels
And let them swallow you
Go and part the sea, yeah, in Malibu

And the sun goes down
I watch you slip away
And the sun goes down
I walk into the waves
And the sun goes down
I watch you slip away
And I walk

And I knew
Love would tear you apart
Oh and I knew
The darkest secret of your heart

Hey, hey
I'm gonna follow you
Oh baby, fly away, yeah, to Malibu
Oceans of angels
Oceans of stars
Down by the sea is where you'll drown your scars

I can't be near you
The light just radiates
I can't be near you
The light just radiates"
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